Merwoman in Oils - Part 1

The focus of our next painting is an original work inspired by a piece of literature. The diversity of the class' selections ranged from spiritual interpretation to fantasy. My source of inspiration is near and dear to my heart. My daughter is in the process of writing her first fantasy novel and I felt pulled to create a scene from the pages of her story.

The subject I have chosen is a violet-eyed Merwoman with intense, mesmerizing eyes that reflectively mirror the world around her. She is slowly emerging from the lake water while observing the main character on the shoreline.

Challenging: Since the eyes are the main focal point of this painting it will be crucial to create exact symmetry in order to draw the viewer into the reflections on her iris and pupil that will portray the world around her.

Rewarding: I am very pleased with the result thus far. I have tweaked the shape of the eyes from my original drawing and will need to carefully construct the same shape. But, overall, I am pleased with the progress.

HINT: Our instructor, Cristian Aluas, suggested first drawing the eye on tracing paper in the exact shape and size. Then the image was transferred to the canvass on the right, flipped over and duplicated on the left to ensure symmetry. Also, working from reference photos definitely helps to provide the sense of realism that I could not have drawn out from memory.

German Steam Train 2003

In keeping with my hope of inspiring others and myself, I wish to include some of my earlier paintings to demonstrate a progression in skill. In 2003 I created this painting in acrylics for my uncle who LOVES everything trains.

Although challenging, I believe I managed to achieve the correct perspective. I find it interesting to see how much my style and skill have developed in such a short time. As a matter of fact, I still have my very first painting from 2001 and find it hard to believe that the same person painted it and my newest 'Male Model In Oils'. Maybe one day I'll be brave enough to include it here....but I'll warn you it's not pretty!

Male Model in Oils - Part 4

I can't believe how much this painting has evolved from the beginning. I'm very pleased with the results and excitedly look forward to the next model. Hint Hint Cristian!

Last night was the last class dedicated to this particular painting, so I've brought it home to complete.

I managed to correct the sofa angles, add height to the front of the sofa and add details to the body.

There are only a few minor adjustments left to make and then it will be complete - left hand, the face, socks and curtains touchups.

Challenges: the details of the face and remixing the correct facial colours, the shape of the left hand.
Rewarding: the richness of the colours (love that Cadmium Red Deep Hue), the shirt and the sofa stripes. I've also noticed that my brush strokes are much looser and free.

Next Week: We begin working on an original piece inspired from a piece of literature.

Male Model in Oils - Part 3

Now that most of the painting is mostly filled in, I realize I need to work more on the angles and proportions of the sofa. The face is beginning to take shape - I've left this until the end since its the part that most intimidates me. Cristian provided a sample that encourages the use of the negative space to construct the face and its proportions-focusing on the angles, shapes, shadows and highlights rather than the actual features of the face. By doing this, the left brain's need to identify, label and construct from a preconceived idea of what an eye looks like is silenced while the right side of the brain looks at the details as shapes and angles, placing them together as pieces of a puzzle (learned more about this from Drawing On The Right Side of the Brain by Betty Edwards).

Challenge: Still, the left arm.
Rewarding: I finally mixed enough paint to finish an area without the challenge of remixing the same colour.Yes!!!

Male Model In Oils - Part 2

Tonight's class involved refining the painting, adding depth and contour to the body. I was quite pleased with the result achieved on the model's right arm and legs. I found the left arm, with its forshortening, to be quite a challenge and in need of more work and refinement. Our instructor explained that working with the negative space surrounding the arm would allow our eye to see the arm in a different light - hence the splash of burgundy.

Challenges - the proportion and angle of left arm and not mixing enough paint-again.
Rewarding - contours and shadows of the right arm and leg.

I am thoroughly enjoying working with the human form and find myself eager to paint more. Volunteers anyone?