Male Model in Oils - Part 4

I can't believe how much this painting has evolved from the beginning. I'm very pleased with the results and excitedly look forward to the next model. Hint Hint Cristian!

Last night was the last class dedicated to this particular painting, so I've brought it home to complete.

I managed to correct the sofa angles, add height to the front of the sofa and add details to the body.

There are only a few minor adjustments left to make and then it will be complete - left hand, the face, socks and curtains touchups.

Challenges: the details of the face and remixing the correct facial colours, the shape of the left hand.
Rewarding: the richness of the colours (love that Cadmium Red Deep Hue), the shirt and the sofa stripes. I've also noticed that my brush strokes are much looser and free.

Next Week: We begin working on an original piece inspired from a piece of literature.

Male Model in Oils - Part 3

Now that most of the painting is mostly filled in, I realize I need to work more on the angles and proportions of the sofa. The face is beginning to take shape - I've left this until the end since its the part that most intimidates me. Cristian provided a sample that encourages the use of the negative space to construct the face and its proportions-focusing on the angles, shapes, shadows and highlights rather than the actual features of the face. By doing this, the left brain's need to identify, label and construct from a preconceived idea of what an eye looks like is silenced while the right side of the brain looks at the details as shapes and angles, placing them together as pieces of a puzzle (learned more about this from Drawing On The Right Side of the Brain by Betty Edwards).

Challenge: Still, the left arm.
Rewarding: I finally mixed enough paint to finish an area without the challenge of remixing the same colour.Yes!!!

Male Model In Oils - Part 2

Tonight's class involved refining the painting, adding depth and contour to the body. I was quite pleased with the result achieved on the model's right arm and legs. I found the left arm, with its forshortening, to be quite a challenge and in need of more work and refinement. Our instructor explained that working with the negative space surrounding the arm would allow our eye to see the arm in a different light - hence the splash of burgundy.

Challenges - the proportion and angle of left arm and not mixing enough paint-again.
Rewarding - contours and shadows of the right arm and leg.

I am thoroughly enjoying working with the human form and find myself eager to paint more. Volunteers anyone?

Male Model In Oils - Part 1

This week's class is focused on painting a live model. Our subject is a man, approximately 40 years old, posed in a relaxed position on a sofa reading a magazine. Sort of a 'kick back and relax after a hard day at work' feel. This is the first attempt I have ever made with a live model. I have to say the experience is somewhat intimidating but exciting at the same time.

At first I felt somewhat guilty viewing this person as more of an object than a human. But after awhile, I felt myself relax and focus on the elements and nuances involved in creating a life painting.

The biggest challenge of the night was placing the first pencil mark on the canvas. With composition being the key to a well balanced image, I wanted to be sure the image was well spaced, placed and of an appropriate size to make an impact, while ensuring that the eye was not drawn off the canvas due to poor planning. Once our instructor, Cristian, gave us a time limit for finishing the sketch, I found myself laying down the drawing much more quickly and thinking less.

The next challenge I experienced was the speed at which I mixed the colours needed. I'm sure that with time, my confidence will build and the mixing will become faster and more accurate.

What I enjoyed the most was seeing the shape on my canvass begin to come to life with a likeness of the model.

All in all, I'm quite pleased with the progress I am making, especially considering this is my first time painting a person from life. I can't wait to see what begins to emerge through the layers of paint next week.

Challenge: Not mixing enough paint, positioning the image
Reward: Seeing the likeness take shape